Edouard Martinet

Edouard Martinet has become the art world’s virtuoso insectophile, transforming bits and pieces of cast-off junk culled from flea markets and car boot sales into exquisitely executed insect, fish and animal forms. What sets Martinet’s work apart is the brilliant formal clarity of his sculptures, and their extraordinary elegance of articulation.

His degree of virtuosity is unique: he does not solder or weld parts. His sculptures are screwed together. This gives his forms an extra level of visual richness – but not in a way that merely conveys the dry precision of, say, a watchmaker. There is an X-Factor here, a graceful wit, a re-imagining of the obvious in which a beautifully finished object glows not just with perfection, but with character, with new life.

Martinet works at night and his fabrication process requires relatively few tools – essentially a drilling machine, grindstone, pliers, screwdrivers – because he uses parts that will fit together naturally. And he keeps them in their true found state, which could be almost new, well-worn, or even rusted. If he has the right parts to fit his vision for a sculpture, its making will take about a month. “The most difficult thing is to find the right part, the one that will seem obvious – as if it had been manufactured specially for the sculpture.”

“I’m more interested in the animals that people are afraid of, like insects or fish – spiders. When I was about nine years old, I developed an interest in insects thanks to one of my primary school teachers who was also an entomologist.  I suppose it was natural that one day all these things would combine. I love seeing objects which have their own past and their own practical uses take on a second life in my creations.”

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